Robin Alex McDonald (b. 1988, Georgetown, ON) is a part-time faculty member in the Fine and Visual Arts department at Nipissing University in North Bay (Robertson-Huron treaty territory and traditional territories of the Nipissing First Nation), an instructor in the Visual and Critical Studies program at OCAD University in Tkaronto/Toronto (traditional territories of the Mississaugas of the Credit, the Haudenosaunee, the Anishinaabe and the Huron-Wendat), and a PhD Candidate in the Cultural Studies Program at Queen’s University in Katarokwi/Kingston, Ontario (traditional territories of the Anishinaabe and Haudenosaunee.) Robin’s research spans contemporary art and visual culture studies; the intersections of art and activism; queer, feminist, and trans theories; museum studies and alternative curatorial methodologies; affect theory; madness and disability studies; and theories of love, collectivity, and “the social.” Their doctoral dissertation investigates representations of depression in contemporary art by LGBTQ2S artists.
Robin is a co-founder of Minor Hockey Curatorial Collective (with Alexander Rondeau), Turbines Curatorial Collective (with Pansee Atta, Gabriel Cheung, Evelyn Dunsford, and Katharine Kyle Vingoe-Kram), Chipped Off Performance Collective (with Kim Renders and Dan Vena) and the Queen’s Queer Art and Cinema Club (with Dan Vena.) Additionally, they have worked with the ArQuives Curatorial Committee (formerly the Canadian Lesbian and Gay Archives Curatorial Committee), 8-11, Modern Fuel Artist-Run Centre, the Kitchener Waterloo Art Gallery, Artery Gallery, and the Queen’s Positive Space Program for Sexual and Gender Diversity. They currently serve on the board of directors at White Water Gallery in North Bay, Ontario.
Robin’s writing has been published in Literature and Medicine, TheatreForum, Queer Studies in Media and Popular Culture, the Graduate Journal for Social Sciences (with Dan Vena), n.paradoxa, nomorepotlucks, Spiffy Moves, Guts Canadian Feminist Magazine (with Elly Clarke, Amanda Turner-Pohan, and Michelle Ty), Syphon, and the edited anthology Plant Horror: Approaches to the Monstrous Vegetal (with Dan Vena.) In 2019, Robin edited a special issue of Syphon on the topic of incarceration in Katarokwi/Kingston, Ontario and visual cultures of prison abolition activism in Canada.
robinamcdonald [at] gmail [dot] com